The building at 176 Grand Street.

COURTESY PETER BLUM GALLERY

After being forced out of its 57th Street building due to impending demolition, Peter Blum Gallery in New York has found a new space at 176 Grand Street, where Little Italy meets SoHo and just a few blocks from the heart of the Lower East Side Gallery scene.

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Kara Walker, Sketch for an American Comic Opera with 20th century Race Riots, 2012, pastel and graphite on paper.

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Expo Chicago 2016.

Expo Chicago has announced the exhibitors list for its sixth annual edition, taking place in Navy Pier’s Festival Hall September 13–17.

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Mamma Andersson, Cave, 2016, hand-printed color woodcut on rice paper, 22½ x 24⅞ inches.

©MAMMA ANDERSSON/COURTESY THE ARTIST AND STEPHEN FRIEDMAN GALLERY, LONDON

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Anish Kapoor, Descension, 2014, installation view at Brooklyn Bridge Park, New York, 2017.

JAMES EWING, PUBLIC ART FUND, NEW YORK/©2017 ANISH KAPOOR

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Installation view of “Calder: Constellations,” 2017, at Pace Gallery, New York.

TOM BARRATT/©2017 CALDER FOUNDATION, NEW YORK AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/COURTESY PACE GALLERY

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The logo for Houston’s Urban Circus art collective.

COURTESY URBAN CIRCUS

Artists

Matisse and Botticelli get along very well in a pair of exhibitions at Boston’s Museum of Fine Arts.

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The place to get a cold one.

PHOTO COURTESY BFA

It’s not so often that something at the Whitney Museum of American Art calls to mind the plot of the Smokey and the Bandit, the 1977 film in which Burt Reynolds plays a stunt driver tasked with trucking 400 cases of Coors beer from Texarkana, Texas, to Atlanta, Georgia, in 28 hours.

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Installation view of “Cameron Rowland: 91020000” at Artists Space former Greene Street gallery, 2016.

ADAM REICH

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Korakrit Arunanondchai, with history in a room filled with people with funny names 4, 2017, HD video, with costume and pillows installation, 23 minutes, 31 seconds.

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